bugtriada.blogg.se

1. DRIBBBLE KITE COMPOSITOR PORTABLE
2. DRIBBBLE KITE COMPOSITOR SOFTWARE
3. DRIBBBLE KITE COMPOSITOR PLUS
4. DRIBBBLE KITE COMPOSITOR SERIES

What is this magical new technology? It’s an evolution of a technique that’s been in use for nearly a century in one form or another: displaying a live image behind the actors. The cutting edge tech (literally) behind “The Mandalorian” creates a new standard and paradigm for media - and the audience will none the wiser.

DRIBBBLE KITE COMPOSITOR SERIES

But while a successful live-action Star Wars TV series is important in its own right, the way this particular show was made represents a far greater change, perhaps the most important since the green screen. “The Mandalorian” was a pretty good show. In the meantime you can watch the behind the scenes video below:Īuthor jgleba Posted on ApCategories cinema tech, Disney, entertainment, ILM, industrial light and magic, led walls, media, stagecraft, Star Wars, The Mandalorian, unreal, unreal engine How ‘The Mandalorian’ and ILM invisibly reinvented film and TV production I plan to dig deeper into the technical improvements and pipelines that ILM, Disney, Unreal, and other companies have put together to make this all possible. Not only is it more natural and better looking than ordinary location or green screen techniques, it’s faster - they’re working through 30-50 percent more script pages per day, which any producer will tell you is unbelievable.

“It also has forced us into having a more efficient workflow that draws pre-production, post-production, production, all into one continuous pipeline,” Favreau said.

DRIBBBLE KITE COMPOSITOR PLUS

Plus the volume itself has gotten bigger and better. There were lots of specific requests from various members of the team, plus the usual bug squashing and performance improvements, leading to an improved workflow.

DRIBBBLE KITE COMPOSITOR SOFTWARE

“By the second season, ILM developed some software that was specific to this technology and to what the hardware was capable of,” said Jon Favreau, executive producer of the show and indefatigable patron of new technology in cinema. As an end-to-end system it must integrate with dozens of renderers, color suites, cameras, pre- and post-production software, and of course the LED walls themselves, which are always improving.

You know, it’s like you’re painting with the lights on finally.”īut while it would be difficult to call Stagecraft anything but a rousing success, it’s still very much a work in progress.

“It inspires the actors, it inspires the filmmaker to now see what they’re shooting. “What’s wonderful about this system is now everyone is on the same page,” said Robert Rodriguez, who directed several episodes of the show (as well as numerous films), in the ILM video. Not only that but it pulls together many disparate parts of the production process into one shared process.

DRIBBBLE KITE COMPOSITOR PORTABLE

How ‘The Mandalorian’ and ILM invisibly reinvented film and TV productionįundamentally this is huge, allowing “on location” shoots to combine with intricate sets (and regardless of weather or travel schedules), but far more gracefully than the soundstages or portable green screens that actors have stood in front of for decades.